Le Dépanneur

Issue 03 
  1. GRNASFCK, Thing Thing & Chloé Vadot
  2. Eug & Rowan Spencer
  3. Emily Bode
  4. Jordan Page
  5. Zoe Kauder Nalebuff
  6. Andru Sisson & Clarisse Fahrtmann
  7. Laida Lertxundi
  8. Juan Camillo
  9. Tim Lyons
  10. Ama Torres

Issue 02 —
  1. Mac Demarco
  2. n10.as radio
  3. Weyes Blood
  4. Rachel Buchholtzer & Angus Tarnawsky
  5. Fran Mayo
  6. Jonah Reider
  7. Atticus Moorman
  8. Ayla Tse & Théa Spring
  9. Ravyn Lanae
  10. Jan Snarski
  11. Vincent Tsang

Issue 01 —
  1. Ought
  2. Look Vibrant
  3. Dominique Glassman
  4. Dan Lombroso
  5. Cloe Logan
  6. Andrew Wong

  1. Le Dépanneur is an annual arts & culture publication, founded as a platform for interesting work of all sorts 
  2. Its titleborrowed from the term for a Montreal corner store—should get at a miscellaneous but thoughtful content, and an investigation of the creative processes that a city can make room for
  3. You can write to depanneurmagazine@gmail.com in Brooklyn, NY for all back issues, inquiries, submissions, and hellos


4. Loren Eiseley

LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.

Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.